Brokeback Mountian
I want you all to ignore the cute little gay man's review of Brokeback that Laura posted on her blog...well at least all of the review short of the last point he finally got around to making. I find it very sad that all of the gay gentlemen I've talked to about this movie cannot get over how hot the two leads are, or the kiss, etc, etc. Sometimes people are stuck in the preadolescent haze and never grow beyond that. And the comment that the story is the same regardless of the gender or sexual orientation of the couple..another piece of trite. See the movie. You'll see what I mean.
It was so refreshing to see acting that involved a strong effort to maintain a reserved, unaffected facade. Not all emotion is meant to be sung from the rooftops. In that respect, I was much more impressed with Heath Ledger than Jake Gyllenhall. That and I cannot overlook the Donnie Dark look that persistently follows Mr. Gyllenhall around. It was some much more powerful (and believable) to see the characters refusing to crack and catching that quick quiet glimpse when the facade might shatter. Not just from Ennis (Heath), but also from his wife (played by Anne Hathaway) and daughter.
This is the perfect movie to show ho everyone is affected by one's person's actions and decisions. The film refuses to paint anything in a pretty idealized world except for th dreams that the characters aspire to. I'm pretty certain regardless of where you stand on gay rights debate, you will find someone in this film to relate to and you will be touched. I doubt the film will change your views on homosexual relations. I don't think its trying to. But it is there on the screen and some small part of you will have to acknowledge that fact. Some people may feel preached to during the two hours, but if you take it for what it is, a relationship (sexual or otherwise) between two men, or even as just a relationship in general, I hope something please to all. Probably one of the most fascinating things about this film is its universal appeal. You will be able to twist the story to fit any preconceived ideals you have upon entering the theater. You will find something to reaffirm your position on whatever issues you may support, whether that be as simple as all men are asses, once a cheater always a cheater, etc. to the deeper sexuality issues at hand. It neither supports nor denies any allegations, but lays bare the human heart.
As a film it is breathtaking, all concerns and issues aside. The only thing I found out of place was one short flashback. A few graphic moments are just graphic enough to make you uncomfortable (and I am not referring to sex) and get the point across. The costumes (particularly the facial hair) are perfect. And I've never seen that many jeans and western shirts in one shot and still managed to acknowledge that only after the fact. And the backdrop for the movie itself. I see why Andrew's been trying to get me out to Montana. The film gets five stars on for its use of a memory device and emotional recall alone.
It was so refreshing to see acting that involved a strong effort to maintain a reserved, unaffected facade. Not all emotion is meant to be sung from the rooftops. In that respect, I was much more impressed with Heath Ledger than Jake Gyllenhall. That and I cannot overlook the Donnie Dark look that persistently follows Mr. Gyllenhall around. It was some much more powerful (and believable) to see the characters refusing to crack and catching that quick quiet glimpse when the facade might shatter. Not just from Ennis (Heath), but also from his wife (played by Anne Hathaway) and daughter.
This is the perfect movie to show ho everyone is affected by one's person's actions and decisions. The film refuses to paint anything in a pretty idealized world except for th dreams that the characters aspire to. I'm pretty certain regardless of where you stand on gay rights debate, you will find someone in this film to relate to and you will be touched. I doubt the film will change your views on homosexual relations. I don't think its trying to. But it is there on the screen and some small part of you will have to acknowledge that fact. Some people may feel preached to during the two hours, but if you take it for what it is, a relationship (sexual or otherwise) between two men, or even as just a relationship in general, I hope something please to all. Probably one of the most fascinating things about this film is its universal appeal. You will be able to twist the story to fit any preconceived ideals you have upon entering the theater. You will find something to reaffirm your position on whatever issues you may support, whether that be as simple as all men are asses, once a cheater always a cheater, etc. to the deeper sexuality issues at hand. It neither supports nor denies any allegations, but lays bare the human heart.
As a film it is breathtaking, all concerns and issues aside. The only thing I found out of place was one short flashback. A few graphic moments are just graphic enough to make you uncomfortable (and I am not referring to sex) and get the point across. The costumes (particularly the facial hair) are perfect. And I've never seen that many jeans and western shirts in one shot and still managed to acknowledge that only after the fact. And the backdrop for the movie itself. I see why Andrew's been trying to get me out to Montana. The film gets five stars on for its use of a memory device and emotional recall alone.
Labels: movies
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11:13 AM
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